Friday, April 11, 2014

The Great? Gatsby Modern Adaptation




“The Great Gatsby” or what I would have called it, “The Could-have-been Great(er) Gatsby” was just a movie flop. Like what all people say about book based movies, “Don’t read the book and get your hopes up for the movie” is one thing I would say is the truth for this modern remake. It was an over-hyped movie that just ruins the thought of the book. Of the many things flawed, I feel as if the most apparent were the acting, emotions-filled scenes, and most of all the chosen cast, but movie critic Matt Zoller Seitz attempts to salvage the waste of a movie as most other people see it as.
            To begin with, the cast that director Baz Luhrmann chose was terrible to begin with. Choosing Leonardo DiCaprio was originally an excellent choice in my opinion, but throughout the film he did nothing but disappoint. Seitz likes to argue otherwise saying that DiCaprio created the most simple of all effects using his body language and voice, but I say that there was actually a lack of emotion and feel. DiCaprio’s accent continuously dropped in and out while saying the catch phrase “Old sport” enough times where it’s countable on one hand.
            Seitz states that Joel Edgerton fits the book’s description of a hulking man. In reality, that is a true overstatement. From reading, I imagined a massive 6’2” 220 lb man of just pure roid-raging muscle. Edgerton was just not up to par. Although he is 5’11 and in the movie “Warrior”, he just didn’t have that aggressive face and attitude of himself to create a character that would be instantly seen as THE Tom Buchanan, a man in his mid thirties who is just stuffed full of old money.
Although both the actors for Tom and Gatsby were a disappointment, Tobey Maguire exceeded expectations as the role of Nick, again, an opposing view of critic Seitz who states that Maguire is just a wry blank-slate actor. Maguire, although older than what I imagined, brought out the full character of Nick Carraway, a man attempting to start a new in New York City. The city full of life where the past is the past and anything can happen in the future.
            Next on the list is the cinematography. Something that could have been so simple filled with raw emotions that would flood the ideals of the viewers. Many scenes throughout the movie could not match up with my expectations in the book. Seitz describes the cinematic as a dazzling front half and a darker second. I feel the movie as a whole lacked the emotions that each scene had the potential to show. Seitz describes the second half as dark and shows emphasis on the actors in each room. This opinion is complete bologna. The intimacy and confusion that could have occurred in the scene when Gatsby finally once again meets Daisy in Nick’s living room were all thrown out the window to shave a few seconds off of the recording time. That scene didn’t start with an awkward air, move onto a state of confusion, and burst into the sudden realization of love that it should have. It was just pure awkwardness into even more awkwardness but with some type of “love” and then just awkward. All awkward.
            The Great Gatsby was a complete failure of what it could have been. With the money and CGI effects, it could have become an instant modern classic; something Oscar worthy for Leo. 




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